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| James Stewart | P.J. 'Jim' McNeal |
| Lee J. Cobb | Brian Kelly |
| Richard Conte | Frank W. Wiecek |
| Helen Walker | Laura McNeal |
| Betty Garde | Wanda Skutnik |
| Kasia Orzazewski | Tillie Wiecek |
| Joanne De Bergh | Helen Wiecek |
| Howard Smith | K.L. Palmer |
| Moroni Olsen | Parole Board Chairman |
| John McIntire | Sam Faxon |
| Paul Harvey | Martin J. Burns |
| Robert Adler | Taxicab Driver |
| Richard Bishop | Warden of Stateville Prison |
| Larry J. Blake | Police Photographic Technician |
| John Bleifer | Jan Gruska |
| Director | Henry Hathaway
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| Producer | Otto Lang
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| Writer | Jerome Cady
Jay Dratler |
| Cinematography | Joseph MacDonald
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| Musician | Alfred Newman
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Film noir, a classic film style of the '40s and '50s, is noted for its dark themes, stark camera angles and high-contrast lighting. Comprising many of Hollywood's finest films, film noir tells realistic stories about crime, mystery, femme fatales and moral conflict. When a classified ad grabs the attention of Chicago Times editor Brian Kelly (Lee J. Cobb), he sends ace reporter P.J. McNeal (James Stewart) to dig up new evidence in the 11-year-old case of a cop killer: It appears that Frank Wiecek (Richard Conte) has taken a fall, and been wrongly imprisoned for the murder. Although hard-nosed McNeal is initially skeptical, he eventually believes that Wiecek was, in fact, a patsy. And although McNeal hits one dead end after another, the avid newsman never gives up the search for justice for the innocent Wiecek. |
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